Ken Salazar to Rick Scott: Everglades plan doesn't go far enough, fast enough @miamiherald

In MIami Herald Yesterday:

Good start but it doesn’t go far enough, fast enough.

In a nutshell, that sums up the federal government’s initial response to an Everglades pollution cleanup plan personally laid out last month by Gov. Rick Scott during a visit to Washington.

Nevertheless, both sides remain upbeat about resolving the long-running legal and political battle over Florida’s repeatedly delayed plans to reduce the flow of the damaging nutrient, phosphorus, that pours off farms and yards into the Everglades after every rain storm.

In a meeting Monday with the editorial board of The Miami Herald, U.S. Interior Secretary Ken Salazar said he was “cautiously optimistic’’ that the state would address initial concerns sketched out in a Nov. 10 letter to the governor from four federal agencies involved in Everglades restoration. Story here.

Posted by Mary Ellen Klas on November 15, 2011 in Florida Environment , Florida Governor , Rick Scott | Permalink

Dispute over northern #Everglades area pits environmentalists and sports enthusiasts against each other @TCPalm

Can't we all just get along....

 

WASHINGTON — A dispute over what should happen to 150,000 acres of the northern Everglades pitted environmentalists and sports enthusiasts against each other at a House subcommittee hearing Thursday.

The U.S. Fish and Wildlife Service hasn't said which 150,000 acres it wants for the Everglades Headwaters National Wildlife Refuge. The agency says the proposal will improve the quality and quantity of water and protect wildlife. Those opposed to the plan worry about public access to the land.

"These areas need to be open. They need to be open to recreations," Jorge P. Gutierrez, president of the Everglades Coordinating Council, told the House Fisheries, Wildlife, Oceans and Insular Affairs subcommittee.

The U.S. Fish and Wildlife Service would purchase easements to protect 100,000 acres from future development. The land would remain privately owned. The agency would buy 50,000 acres to create a refuge open to visitors for recreational activities, including hunting and boating.

Some witnesses worried about not being able to hunt and boat on the 100,000 acres that would remain under private ownership.

"Air boaters are unique individuals, and we don't really appreciate land being locked up," Bishop Wright Jr., president of the Florida Airboat Association, said. "There are no airboats for public use in refuges."

Mark J. Masaus, deputy regional director for Region 4 of the Fish and Wildlife Service, said officials are meeting with hunters to hear their suggestions about the project.

Some committee members questioned how the proposal would be funded. The government plans to use money from offshore oil and gas revenues.

The project would take several years to complete and cost about $450,000 annually to maintain and operate.

Rep. John Fleming, R-La., the subcommittee chairman, said it would cost $700 million to buy the easements and land, a figure others said was merely an estimate.

"What the service fails to tell the American people is how many thousands of new jobs will be lost by locking up this land to no development in the future," Fleming said.

@FL_Audubon's @CorkscrewSwamp Sanctuary Is a Haven for Shrinking Wildlife Habitats by @miamiherald #Eco #Everglades #Water

Corkscrew Swamp Sanctuary is in season...well worth the trip.

Corkscrew Swamp Sanctuary a haven for shrinking habitats

IF YOU GO

Corkscrew Swamp Sanctuary is open seven days from 7 a.m. to 5:30 p.m. through April 10. Admission is $10 for adults; $4 for children 6-18; free for children under 6. For directions and more information, call 239-348-9151.

 


SCOCKING@MIAMIHERALD.COM

When the weather cools and the mosquitoes wane, an easy must-do nature hike is the Corkscrew Swamp Sanctuary near Naples.

Home of the largest remaining virgin bald cypress forest in North America, this 14,000-acre preserve features an elevated 2 ½-mile boardwalk for easy and spectacular wildlife viewing. It might be the closest thing South Florida has to a living looking glass into the turn-of-the-last-century frontier.

Acquired by the National Audubon Society in 1954 to prevent logging, the Corkscrew features a variety of habitats — pine flatwoods, wet prairie and cypress forest in rich, undisturbed abundance. The array of plant and animal life is dizzying, and varies with water level and season.

From now through April is the best time for encountering birds — anhinga; heron; ibis; swallowtail kite; red-shouldered hawk; barred owl; wood stork; and limpkin (among others). The marsh holds alligators, otters, turtles and frogs. Occasionally a black bear lumbers through, leaving tall scratch marks on the cypress and depositing tell-tale dung piles on the boardwalk. On the prairie, visitors sometimes spot deer.

Each trip to Corkscrew is memorable — no matter the season. Because the area has been protected for nearly 60 years, the swamp dwellers behave a lot like the creatures of Ecuador’s remote Galapagos Islands: they seem unafraid and nonchalant around human visitors.

Once on a winter trip, I happened by a small lake filled with water lettuce where a little blue heron had speared a frog. When it saw me approach, it hopped onto the railing to make sure I appreciated its hunting prowess.

On another visit, I saw several barred owls perched on tree limbs, including one with chicks, that didn’t fly away when I came close. On the same day, a family of otters swam and played beneath the boardwalk, oblivious to the humans gaping at them.

Then, a few weeks ago, I went on a guided tour with three Audubon volunteers and we all got scolded by a red-shouldered hawk.

You just never know which creatures are going to greet you.

The plant life is just as vibrant and varied as the wildlife. Nearly 40 kinds of ferns decorate the swamp, interspersed with colorful wildflowers that change with the season. I recently learned from sanctuary volunteer Edie Blair that the beautiful pink marsh mallow flowers actually hold a sweet substance. For some reason, I always thought the popular campfire treat got its name arbitrarily.

When you visit Corkscrew in winter, you will see small, brown, dead-looking leaves draping the cypress boughs. It is resurrection fern, which turns into a vibrant green garland with the summer rains after going dormant during droughts.

The Corkscrew drew a flurry of international publicity in July of 2007 when several beautiful and mysterious ghost orchids, never seen before in the swamp, bloomed gloriously on a cypress within sight of the boardwalk. The news drew hordes of tourists and several botanists to view and photograph white petals that resemble the 1960s cartoon character, Casper the Friendly Ghost.

The botanists predicted the orchid wouldn’t bloom again for at least a decade. But Casper had other ideas, and has showed off for visitors every summer since.

Perhaps the swamp’s most remarkable features are the thick, towering cypress trees, some estimated at 600 to 700 years old and standing 130 feet tall and 25 feet in circumference. These enormous trees serve as hosts for strangler figs and homes for birds, while their smaller knees provide nutrients for other vegetation, such as ferns and orchids.

In summer the leaves are feathery green; about now, they fade to brown, and in winter, they disappear, creating a starkly beautiful, haunting effect.

South Florida is entering prime hiking season, and the Corkscrew Swamp should be high on any rambler’s list.


Read more: http://www.miamiherald.com/2011/11/02/2484599/corkscrew-swamp-sanctuary-a-haven.html##ixzz1dDsLTT6z

U.S. Dept of @Interior Approves #Christo ‘Over the River’ #Art Project in #Colorado. #Eco impact?

Fascinating and challenging art project with serious environmental challenges.

The artist plans to install fabric over the Arkansas River.

DENVER — Federal regulators on Monday approved a $50 million installation of anchored fabric over the Arkansas River in southern Colorado by the artist Christo, whose larger-than-life vision has divided environmentalists, residents and politicians for years over questions of aesthetics, nature and economic impact.

Christo

The artist's drawing of the project, which will include eight suspended panel segments totaling 5.9 miles along a 42-mile stretch of the Arkansas River.

Readers’ Comments

The project, “Over the River,” will include eight suspended panel segments totaling 5.9 miles along a 42-mile stretch of the river, about three hours southwest of Denver. Construction could begin next year, pending final local approvals, with the goal being a two-week display of the work as early as August 2014.

“Drawing visitors to Colorado to see this work will support jobs in the tourism industry and bring attention to the tremendous outdoor recreation opportunities,” Interior Secretary Ken Salazar said. “We believe that steps have been taken to mitigate the environmental effects of this one-of-a-kind project.”

Christo, 76, said in an interview that the project had already made history for its interconnection of art and public participation, with a federal environmental impactstatement that drew thousands of comments.

Christo’s projects — from the wrapping of the ReichstagParliament building in Berlin in 1995 to “The Gates,” a meandering path of orange awnings through Central Park in New York in 2005 — have often generated heated debate in advance of their creation.

“We are elated,” Christo said. “Every artist in the world likes his or her work to make people think. Imagine how many people were thinking, how many professionals were thinking and writing in preparing that environmental impact statement.”

Permits are still needed from Fremont and Chaffee Counties, the Colorado Department of Transportation and the State Patrol. But Christo emphasized that those agencies had been working with the federal government all through the environmental impact study and were involved in shaping the mitigation measures included in Monday’s decision.

Federal officials said that “Over the River” could generate $121 million in economic output and draw 400,000 visitors, both during the construction — which could become its own tourist event — and the display itself.

Points of contention and controversy ranged from road safety in the narrow canyon highway through the installation zone, which extends from the towns of Salida to Cañon City, to potential impacts on wildlife, especially on the Rocky Mountain bighorn sheep that habituate the Arkansas River canyon and are Colorado’s state mammal.

In May, the Colorado Wildlife Commission, an advisory panel to the state’s Division of Parks and Wildlife, urged federal officials to reject Christo’s proposal, specifically citing its concerns about the sheep, and whether the chaos and traffic of construction could keep them from crucial water sources. A local opposition group complained in August that federal regulators were being unduly swayed by Christo, and that phrases like “artistic vision” in the impact study, rather than neutral terms like “proposed project,” suggested a predisposition to let him have his way.

The decision announced Monday spelled out measures to protect the sheep, including restricting activity in lambing season and a Bighorn Sheep Adaptive Management Fund, paid for by Christo, who is covering the full cost of the project via the sale of his work.